blog
vipera saxum
we went to the cursed snake island; it was awful and perfect
you can only avoid it for so long
it starts to creep in and suffocate you
or worse
you forget
and that power is lost
it's a fine line
the smallest of moments
when you forget the reason why you're avoiding the work
and the fear is just habit
so we went to the cursed snake island
it was awful and perfect
the trail didn't care about you
and the wind hated you
purposeful
meaningful
there was a moment of peace
and i gave that piece song
brass and wire
a frequency of our magick in the chaotic stillness
we kept busy and avoided the clingers
i’m thankful me and curses don't get along
i could see someone getting lost here
the bard was uneasy but didn't show it
her quill has a backbone
thank the gods
we got our work done
it was as it should be
we asked the captain for our muse
our question was answered
we have work to do
a portal to open
side note - things are changing quickly, depression is becoming an embarrassment and it seems like i'm being watched, judged, and possibly tested. i got mad apples.
chun cel contritionem
a poem for the goddess of war, an adventure in inspiration
today we walked amongst giants
gods and goddess alike
soft white lines through veins
hard corners of bronze and exotics
free to residents
and utterly impossible
we pulled cards
quiet conversations
divinity
esoteric glances
whispers of soul
scrying within the confines of art
winks and soft touches
the gentleman
the serpent
and the goddess of war
sweet lullabies
and the children who don't know to scream
take away their pain
take away their brush
take away their gods
the trash blowing in the wind
has it
the chaotic ballet of blustery
be trash and bend with it, sweetheart
stratago captimus
unveiling abstract shadow entities through ritual manifestation
the nights became crowded
whispers from the stacks of archives
voices echoing from the energy
trapped in those pages
shapes began harmonizing
i wandered through them all
inebriated hands fumbling
remembering what she told us
i knew it then but not now
we have to keep our secrets
the bard wrote me a letter
kind and true
wax sealed on parchment paper
dear wizard - i’ll be needing symbols
she will have it her symbols
sigils
alchemical twisting of energies
the letter read different that night
it talked of entities
answering the whispers
a sigil of souls
i married the shapes
using the oracle
i created a skeletal structure
with written prayer i manifested intention
layering energies
creating something new
an entity
a being
a symphony of shadows
synesthesia
the sacred art, stratago captimus
cherry serpents
an ode to the process
the process looks good on film
squeezes and pressure
a ballet that leans into it all
it fools you
it’s work
it’s gritty
as it should be
as it should have been all along
the speed is alarming
paint dries fast
paper like blades
chaotic bending of edges
movement
calm moments before the storm
rhythm pounding
we are dancing now
paint dripping
puddles being absorbed by the pulp
images appear
this is a ritual
this is painting
this is my religion
cherry serpents!
umbra signatura
capturing the muse, the vitra lionsa and her esentia phantasma
i wanted to capture the muse
the brush and its simple worship needed a ritual
something with weight
these pieces need to be warm to the touch
alive
the materials soft and transformative
paper wrinkling like the hermit’s stoic face
black as the knight that swings his sword
wildly
the water filled with crystals and even more intention
a ceremony of shape and smudge
smoke filled with memories lingers
ash adding texture
the floor should pound with lust
a ritual
the pressings of umbra signatura